Experimentación dramatúrgica en Rojas Zorrilla: alternancia y simultaneidad espacial en Los trabajos de Tobías

Abstract

This article aims to analyse the technique used by Rojas Zorilla in a religious comedy of biblical derivation to represent, in a parallel way, dramatic actions that are simultaneously developed in very separate dramatic spaces. Although basing his approach on ancient stage procedures, by combining these with modern techniques the result is of such originality that we consider it to be «experimentation». In order to properly value his creative method, a close comparison is made between the biblical narrative, a sixteenth century auto, and a comedy by Lope de Vega that address the same subject.