La tragedia Ataúlfo de Montiano y el concordato de 1753
DOI:
https://doi.org/10.3989/revliteratura.2001.v63.i125.229Abstract
Agustín de Montiano y Luyando didn't write Virginia (1750) and Ataúlfo (1753), the first Spanish neoclassical tragedies, how «playing theatre», but «reading theatre». Both tragedies were read in selected intellectual and artistic circles, because atmosphere of Spanish theatre didn't accept the neoclassical tragic method that Montiano proposed. Ataúlfo isn't an antiabsolutist tragedy wrote against the establishment of the Spanish monarchy. Ataúlfo explains disillusionment and disappointment of Montiano about political intrigues of Marqués de la Ensenada and Rávago, when Fernando VI Government signed the concordat with the Pope Benedicto XIV in 1753.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2001 Consejo Superior de Investigaciones Científicas (CSIC)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the printed and online versions of this Journal are the property of Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a “Creative Commons Attribution 4.0 International” (CC BY 4.0) License. You may read the basic information and the legal text of the license. The indication of the CC BY 4.0 License must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the published by the Editor, is not allowed.
