Campoamor y «El drama universal» (1869)
DOI:
https://doi.org/10.3989/revliteratura.2001.v63.i126.218Abstract
The article tries to attract the attention about a work by Campoamor which wasn't appreciated by the critics almost certainly because of the metaphisical implications, the subject it tuckles and its extensive length. The text is a memento of the work, highlighting the thematic, stylistic and conceptual, features, as well as the criticism received.
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