Tras ser desfigurado, Francisco de Rojas Zorrilla entra en el parnaso español. Los siglos XVIII y XIX
DOI:
https://doi.org/10.3989/revliteratura.2007.v69.i137.32Keywords:
Rojas, Refundiciones, Canon, Billboard, HistoriographyAbstract
The article studies the presence of the theater of Francisco de Rojas in the Spanish scenes of centuries XVIII and XIX, as well as the way in which the critical and historians of Literature valued that author. The refundiciones of their works, their relation with Fernandez de Moratín and their entrance in the national Parnaso are detailed.
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