Apuntes sobre el conceptismo sacro en algunos villancicos de Joan Pau Pujol (1570 - 1626)
DOI:
https://doi.org/10.3989/revliteratura.2000.v62.i123.524Abstract
In this article we find the main characteristics of the literary style referred to as 'sacred conceptism' and they are applied by the composer Joan Pau Pujol (1570-1626) from Mataro (Barcelona). On the one hand, the intention is to carry out a reading as well as a plausible exegesis of these texts with an eucharistical subject and, on the other, to establish a collation with the texts by coetaneous poets, such as Alonso de Ledesma (c. 1562-1633) and José de Valdivieso (1560-1638). Obviously, the conceptist aesthetic's greatest masterpiece is also taken into account, the Agudeza y arte de ingenio by Baltasar Gracián; this work, although later in time than the analysed texts, represents the high point of a previous process, perfectly assimilated since poets such as the abovementioned Alonso de Ledesma.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Consejo Superior de Investigaciones Científicas (CSIC)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the printed and online versions of this Journal are the property of Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a “Creative Commons Attribution 4.0 International” (CC BY 4.0) License. You may read the basic information and the legal text of the license. The indication of the CC BY 4.0 License must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the published by the Editor, is not allowed.
